Resume Dorothy Parker Theme
Resume Dorothy Parker Theme – Dorothy Parker lives now in the middle of the city of New York hotel. He shared his small apartment with a young poodle who had run the place and caused it to look, as Miss Parker said apologetically, a little “Hogarthian”: newspapers strewn on the floor, mutton picks here and there, and rubber. The doll—her throat torn from ear to ear—which Miss Parker rolled with her left hand from her chair to the corner of the room to be picked up by the poodle—who, however, did not tire of the opportunity. The room is sparsely decorated, one of the strongest being a large dog portrait, not of a poodle, but of a sheepdog belonging to the writer Philip Wylie and painted by his wife. The portrait shows the size of the dog which in real life must dwarf Miss Parker. A small woman, her voice is soft, her tone is often apologetic. But occasionally, given the opportunity to comment on things he felt, his voice rose almost harshly, his sentences punctuated by observations uttered with lethal force. His is still the intelligence that made him a legend as a member of Algonquin’s Round Table—a humor whose special quality seems to be the coupling of good social commentary with a mind of terrible inventiveness. He seems to be able to come up with a good phrase for any occasion. A friend remembers sitting next to him in the theater when the news broke of the stolid Calvin Coolidge’s death. “How do they know?” whispered Miss Parker.
Readers of this interview, however, will find that Miss Parker has only contempt for eager reception accorded to her wit. “Is it so bad,” he said bitterly, “that they begin to laugh before I open my mouth.” And he has a similar attitude disparaging his value as a serious writer.
Resume Dorothy Parker Theme
But Miss Parker is her own worst critic. Her three books of poetry may have established her reputation as a master of light verse, but her short stories are basically serious in tone because they reflect Miss Parker’s own life which is in many ways a happy one. “He has distilled,” said one commentator of himself, “his sorrow for the abuses of a crafty generation.”
Dorothy Parker’s Daring Wit
If the tone of the short story is serious, so is its meaning. Franklin P. Adams described it in the introduction to his work: “No one could write such ironic things unless he had a deep sense of injustice—the injustice of the members of the race who are the victims of the stupid, pretentious and hypocritical. …”
After my father died there was no money. I used to work, you see, with Mr. Crowninshield, God rest his soul, paid $12 for my little verse and gave me a job for $10 a week. Well, I thought I was Edith Sitwell. I lived in a boarding house at 103rd and Broadway, paying $8 a week for my room and two meals, breakfast and dinner. Thorne Smith was there, with another man. We used to sit in the evening and talk. There is no money, but Jesus we had fun.
I write captions. “This little pink dress will get you a beau,” something goes. Funny, they were innocent women working at
, not chic. They were decent, nice women—the nicest women I’ve ever met—but they had no business being in a magazine like that. They wear cute little bonnets and on the pages of their magazines virginized models from tough babes to exquisite little love. Now the editor should be: all divorced, and Chic, a collection of Ilka Chases; The model came out of the mind of Bram Stoker, and for the caption writer-
Volume 35, Issue 7: January 11, 1956 North Park Press
Old job-they’re recommending mink covers at $75 each for the wooden end of the golf club “-for the friend who has everything.” Civilization is coming to an end, you understand.
Mr. Crowninshield wished me. Mr. Sherwood and Mr. Benchley—we always called each other by their last names—were there. Our office is opposite the Hippodrome. The midgets will come out and scare Mr. Sherwood. He was about seven feet tall and they always snuck up behind him and asked what the weather was like there. “Walk down the street with me,” he asked, and Mr. Benchley and I would leave our work and lead him down the street. I can’t tell you, we had more fun. Mr. Benchley and I subscribe to two company magazines:
Had a joke column called “From the Grave to the Gay.” I cut a picture out of one of them, in color, how and where to inject embalming fluid, and had it hanging on my desk until Mr. Crowninshield asked me if I thought I could take it down. Mr. Crowninshield was a lovely man, but puzzled. I must say we behaved very badly. Albert Lee, one of the editors, had the map
A table with little flags on it to show where our troops fought during the first world war. Every day he gets news and moves the flag. I got married, my husband was abroad, and since I had nothing better to do I got up half an hour early and went down and changed the flag. Later, Lee will come in, look at his map, and he will be serious about the spies-shout, and spend the morning moving his little pin back into position.
To Celebrate World Poetry Day, Here Are 27 Amazing Poems
Four years. I took drama criticism from P. G. Wodehouse. Then I fixed three plays-one of them
. The play closed and the producers, who were the big boys—Dillingham, Ziegfield, and Belasco—didn’t like it, you know.
Had an opinion. So I was fired. And Mr. Sherwood and Mr. Benchley resigned their jobs. That was all right for Mr. Sherwood, but Mr. Benchley had a family—two children. It was the greatest act of friendship I have ever known. Mr. Benchley made a sign, “Contribution for Miss Billie Burke,” and on our way out we left it in the hall.
. Mr. Benchley did a play review. He and I had a smaller office that was an inch smaller and it was definitely adultery. we had
Dorothy Parker Society
For a cable address, but no one has ever sent us one. It was so long ago—before you became a gleam in someone’s eye—that I doubted there
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